David Rokeby’s early work Very Nervous System (1982-1991) was a pioneering work of interactive art, translating physical gestures into real-time interactive sound environments. It was presented at the Venice Biennale in 1986, and was awarded a Prix Ars Electronica Award of Distinction for Interactive Art in 1991.
Several of his works have addressed issues of digital surveillance, including Taken (2002), and Sorting Daemon (2003). Other works engage in a critical examination of the differences between human and artificial intelligence. The Giver of Names (1991-) and n-cha(n)t (2001) are artificial subjective entities, provoked by objects or spoken words in their immediate environment to formulate sentences and speak them aloud. He has exhibited and lectured extensively in the Americas, Europe and Asia. His awards include a Governor General’s Award in Visual and Media Arts (2002), a Prix Ars Electronica Golden Nica for Interactive Art (2002), and a British Academy of Film and Television Arts “BAFTA” award in Interactive art (2000). He currently teaches in the New Media department at Ryerson University and is Adjunct Professor at OCAD University, both in Toronto.
Interviews
Politics and Aesthetics of Interactive Media Art Today
Transformations of Transforming Mirrors [external]
Complexity and Reduction (in Ubiquitous Computing, Complexity and Culture).